Original article by Hank Kennedy republished from FAIR under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

This Mr. Fish cartoon (Scheer Post, 12/5/23) was called antisemitic because in calling attention to the Israeli army’s ongoing and very real killing of more than 17,000 children, it might evoke associations with the false trope used across centuries that Jews killed children in religious rituals.

Cartoonist Mr. Fish (real name Dwayne Booth) posted an update to his Patreon on March 20 headed “Fish: Laid Off!” Fish’s work has accompanied columns by Chris Hedges, appeared in Harper’s Magazine and currently can be found on ScheerPost. He collaborated with Ralph Nader to create The Day the Rats Vetoed Congress, a fable of a citizen uprising against Washington corruption. Fish announced he had been laid off from the Annenberg School of Communication at the University of Pennsylvania after teaching there for 11 years. Fish states that, officially, “the reason for the termination was budgetary.”

Unofficially, Fish has been subject to an assault stoked by right-wing media since last February. The Washington Free Beacon (2/1/24) fired the starting gun with its piece, “Penn Lecturer Is Behind Grotesque Antisemitic Cartoons.” Writer Jessica Costescu freely conflates criticism of Israel with antisemitism in her piece. She includes as antisemitic a cartoon of accused war criminal Benjamin Netanyahu as a “butcher holding a long knife and a crumpled Palestinian flag,” and another showing “an Israeli holding a gun to a hospitalized baby’s head.”

Even more serious is the charge Costescu makes that Fish evokes the “blood libel,” the myth that Jews murdered Christian children to use in religious rituals, via a cartoon of American and Israeli leaders drinking cups of blood labeled “Gaza.” Fish maintains he was “playing off of the New Yorker style” in drawing “upper-crust power brokers,” and that he was unaware of the blood libel myth (Real News Network, 5/6/25).

Costescu claims that other Fish cartoons are antisemitic because they compare Israeli policies to those of Nazi Germany. She cites one showing soldiers marching under a combination Nazi and Israeli flag, and another showing prisoners in a concentration camp holding signs reading “Gaza, the World’s Biggest Concentration Camp” and “Stop the Holocaust in Gaza.”

‘A Holocaust in Gaza’

Another cartoon by Mr. Fish (Scheer Post, 11/11/23) was called antisemitic because it depicted an IDF soldier holding a gun to the head of a baby. Medical personnel in Gaza report frequently treating children who have been shot in the head by Israeli snipers (Guardian, 4/2/24).

It’s hard to maintain that comparing Israeli policies to Nazism is antisemitic when Israeli Prime Minister Yitzhak Shamir belonged to Lehi, a Zionist militant group so sympathetic to fascism that it offered to ally with Germany during World War II. In 1948, Albert Einstein, Hannah Arendt and others wrote a letter to the New York Times (12/4/48) criticizing the right-wing Freedom Party (Herut), home of future Prime Minister Menachem Begin, for similarity “in its organization, methods, political philosophy and social appeal to the Nazi and Fascist parties.” The Freedom Party was one of the major parties that allied to form Likud in 1973, the faction that has governed Israel for most of the last 50 years.

Pre–October 7, an editorial in Haaretz (10/3/23) warned that “neo-fascism in Israel seriously threatens Israelis and Palestinians alike.”

Israeli politicians and public figures have not shied away from using genocidal rhetoric that compares with Nazi propaganda during the Final Solution. Yitzhak Kroizer of the Jewish Power party (Guardian, 1/3/24) proclaimed: “The Gaza Strip should be flattened, and for all of them there is but one sentence, and that is death.”

Israeli parliamentarian Moshe Feiglin (Middle East Eye, 5/21/25) said in May: “Every child in Gaza is the enemy. We need to occupy Gaza and settle it, and not a single Gazan child will be left there. There is no other victory.”

Israeli TV presenter Elad Barashi (New Arab, 5/5/25) made the parallels explicit when he called for “a Holocaust in Gaza.” He maintained he couldn’t “understand the people here in the State of Israel who don’t want to fill Gaza with gas showers…or train cars.”

‘Antisemitism forever!’

Cartoonist Henry Payne (Andrews McMeel, 3/17/25) responded to the Trump administration’s arrest of Mahmoud Khalil for protesting genocide by suggesting that Khalil was akin to Hitler.

If Israeli military and political actions are off-limits to comparisons to the Nazis in the field of cartoons, the same is not true for Palestinians. This creates a situation where the Israeli government perpetrating a genocide, per Amnesty International and Human Rights Watch, cannot be compared to the Nazis, but the Palestinians—the victims of the same genocide—can.

Since our last survey of anti-Palestinian cartooning (FAIR.org, 3/27/25), some of those profiled have continued to paint pro-Palestine protests as Nazi-like or inherently antisemitic.

Henry Payne (Andrews McMeel, 3/17/25) made reference to the Trump administration’s deportation proceedings against student protester Mahmoud Khalil. He drew a despondent Adolf Hitler poring over a military map, lamenting battlefield reverses. He takes consolation in that “Columbia U. has offered [him] a student visa.”

Kirk Walters (King Features Syndicate, 5/29/25) drew a college president side-by-side with George Wallace. As the segregationist yells out, “Segregation now…Segregation tomorrow… Segregation forever!!” the college president yells out, “Antisemitism now… Antisemitism tomorrow… Antisemitism forever!!” The cartoon is a reference to colleges who have been accused by the Trump administration of not doing enough to crack down on pro-Palestinian protests (Politico, 4/6/25).

‘Generated threats of personal violence’

A Mr. Fish cartoon (Scheer Post, 12/1/23) was called antisemitic because it depicted Israeli Prime Minister Benjamin Netanyahu—who has overseen the killing of more than 57,000 people in Gaza—as a butcher covered in blood and holding a knife.

Within two weeks of the Free Beacon article, the University of Pennsylvania chapter of the American Association of University Professors felt compelled to release a statement on the targeted harassment of Fish. The AAUP stated that the article “generated threats of personal violence against him and calls for the university to discipline him,” and that by publishing the date and time of his next class, the Free Beacon “endangered the physical safety of both [Fish] and his students.” The AAUP also criticized the interim president of the university for publicly calling Fish’s cartoons “reprehensible” and saying that Fish should not have published them.

Fish himself has long opposed censorship, writing in the Comics Journal (Summer–Fall/20), “I don’t believe there are images that are so problematic and so hurtful they should be censored, for the same reasons why I don’t believe in censoring the written word.”

After Fish announced his firing, the Free Beacon (3/22/25) could barely contain its glee. It included a quote from the AAUP crediting the publication with launching a campaign of “targeted harassment” against Fish.

It’s clear that right-wing media and pro-Israel pressure groups still have the capacity to threaten the employment of cartoonists who do not toe the pro-Israel line. There is no such organized push-back against anti-Palestinian cartoonists, even though they are targeting the victims of an ongoing genocide.

Featured image: This Mr. Fish cartoon (Scheer Post, 12/31/23) was called antisemitic because it imagined that victims of Nazi genocide were opposed to Israeli genocide.

Original article by Hank Kennedy republished from FAIR under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.