British artist rejects OBE citing Gaza ‘horror’ and colonial legacy
British musician and theatre artist Susan Moffat has declined an OBE in this year’s Honours List, citing Britain’s colonial legacy and its response to what she describes as the “horrific war” being waged against Palestinians in Gaza.
Moffat, who was nominated for her services to the British community, penned a powerful letter explaining her decision, drawing parallels between her work with Bosnian genocide survivors and the current situation in Gaza.
“I remember screaming at the television during the Bosnian genocide, asking why nobody was stopping it. Now I find myself asking the same question about Gaza,” Moffat told MEMO.
Our leaders have placed value on one set of lives over another, while nations play games with which people get to live and which don’t.
Moffat, who has worked extensively with survivors of the Srebrenica genocide, drew powerful parallels between past and present atrocities. The artist cited the message from the Mothers of Srebrenica: “We must not remain silent, nor stand on the side. We must raise our voice, we must act for all those whose voice cannot be heard but who suffer injustice, especially if those are children, women, civilians.”
In her letter declining the OBE, Moffat addressed the ongoing impact of colonialism and its modern manifestations, particularly in Palestine. “Without acknowledging this legacy, would for me, feel discordant with the work I strive to do,” she wrote, questioning the appropriateness of accepting an honour tied to Britain’s imperial past while similar injustices continue.
Moffat also reflected on the broader implications of colonialism and its enduring impact: “The devastation wrought by empire is not a distant historical footnote but a profound reality that continues to shape our world. The structures of colonialism, its extraction of wealth, and the human suffering it inflicted have left enduring scars. Communities in the Global South are still recovering from the looting of resources and the imposition of arbitrary borders that fuel conflicts today.”
The artist went on to stress that “to accept an honour tied to the ‘Order of the British Empire’ without acknowledging this legacy, would for me, feel discordant with the work I strive to do.” Moffat explained that her decision is a response to the broader cultural context. “Conversations about history, accountability, and justice are often reduced to soundbites about so-called ‘cancel culture’,” Moffat said. “In truth, what is often dismissed as cancel culture is a growing demand for a more honest reckoning with our past,” Moffat went on to warn that the far-right seeks to “sanitise history” and “do a disservice to the potential for growth and reconciliation.”
Speaking to MEMO, Moffat emphasised the role of artists and musicians in combating injustice. “For our kids to understand their true legacy, both good and bad, we must be honest about our past and present actions,” Moffat explained.
When discussing what might have influenced her decision differently, Moffat outlined specific actions the UK government could have taken regarding Gaza, where more than 46,000 Palestinians, mostly women and children, have been killed. “We should have upheld international law and stopped the bombing of schools and hospitals. We should have ended the blockade and used our diplomatic leverage to ensure Israeli forces didn’t target civilians. We should have issued a stronger condemnation of illegal settlements and taken a more decisive stance against the targeting of civilian infrastructure and demonstrated that we as a nation truly stand against injustice.”
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Moffat went on to add that “the British government has failed to play its moral role,” stressing: “If our nation had shown the courage to prioritise humanitarian concerns over political expediency, to stand firmly against civilian casualties, and to be a genuine voice for peace and justice – that would have given me reason to reconsider accepting this honour.”
Reflecting on the ongoing devastation, Moffat emphasised the urgency of immediate action: “We keep saying ceasefire now and all wars end, so let’s put the end at the beginning. Why wait for more suffering when we know peace negotiations are inevitable?”
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