Article by Brett Wilkins republished from Common Dreams under Creative Commons (CC BY-NC-ND 3.0)
(Photo by Stefano Rellandini/AFP via Getty Images)
The directors of the film—which premiered at the Venice Film Festival—said they “felt the responsibility” to expose insider testimony about Israel’s systematic mass killing of Palestinians.
“We really are looking at… a system of killing, which is mass killing [and] relies on mass surveillance,” Abraham told reporters in Venice on Thursday. “We felt the responsibility as Israelis to use our position… to bring insider testimony into how the system looks like from the inside… And this is the film that we made.”
Szor said that “a lot of these things are also, it’s important to say… known because they’ve been documented by journalists, Palestinian journalists, in Gaza. It’s footage that has been out there.”
“But I think that we felt that there is still some sort of an importance to take those testimonies and put it in a film in a way that, of course, first of all, it’s different to hear,” she added. “The people who designed and operated those systems talk about it in front of a camera.”
According to the film, one former member bluntly said that the unit’s mission was to “thwart peace.”
However, Abraham and Szor said their purpose was not to expose a handful of rogue soldiers, but to examine the machinery and policies behind the violence.
The documentary’s title refers to an Israeli military acronym used to quantify the civilians expected to be killed in an attack—a chilling bureaucratic shorthand for people often referred to as collateral damage, or, in the so-called “War on Terror” still being waged by the United States 25 years after the September 11, 2001 attacks, “bugsplat.”
The film’s sources describe artificial intelligence-assisted targeting, mass surveillance, and the hacking of mobile phones to identify alleged Hamas operatives, sometimes despite the known presence of family members and other civilians.
Israeli forces have operated under loosened rules of engagement that effectively permit the killing of an unlimited number of civilians when targeting even a single low-ranking Hamas member. The Israel Defense Forces utilizes cutting-edge AI technology to select targets at a far faster rate than humans alone could, and destroys them with weapons including 1,000- and 2,000-pound bombs—many supplied by the US.
The result has been the killing and wounding of more than 250,000 Palestinians since the Hamas-led attack of October 7, 2023. Most of the victims have been civilians, including more than 21,500 children killed and tens of thousands more disabled or wounded.
Netanyahu and former Israeli Defense Minister Yoav Gallant are wanted by the International Criminal Court in The Hague for alleged crimes against humanity and war crimes in Gaza, including murder and forced starvation. Israel is facing an ongoing genocide case filed by South Africa at the International Court of Justice—also in The Hague—and formally supported by nearly 20 nations.
Abraham and Szor are best known internationally for co-directing with two others the film No Other Land, which chronicled ethnic cleansing of Palestinians from the illegally occupied West Bank by Israeli settlers and soldiers. The film won the 2025 Academy Award for best documentary feature.
NAZA—which reportedly received a 25-minute standing ovation at its Venice premiere—is the sole documentary among the films competing for the festival’s famed Golden Lion. It joins a growing body of recent films about the Gaza genocide.
American Doctor, directed by Poh Si Teng, follows US physicians working inside Gaza hospitals amid Israel’s deliberate destruction of the strip’s medical and healthcare systems.
Last year’s The Voice of Hind Rajab offered a harrowing mix of acted scenes and the actual 70-minute audio recording of a 5-year-old Palestinian girl’s desperate final phone call to Palestine Red Crescent Society personnel amid an Israeli massacre of her family as they were trapped in a car under tank fire.
Article by Brett Wilkins republished from Common Dreams under Creative Commons (CC BY-NC-ND 3.0).
